the change-over from dictatorship to democracy after Franco had died in 1975, and especially its deficits, which historians have recently given greater consideration. This essay deals with the characteristics of the Spanish transition, i.e. In the case of the historical novel, this one has recovered absent passages in the hegemonic historiográfico speech that it has been transmitted us, as it demonstrates, as a paradigm, an excellent novel of which we took care here: Benjamín Prado's Mala gente que camina (2006), that it approaches and it keeps awake the subject of the red children robbed by the Francoism, among others. In our literature, to take care of the war continues being more commitment than evasion and, mainly, it is felt of the responsibility of the writers towards our society. The continuity of the subject -that conflict begins in the heat of- not only it obeys to that still many live on those who suffered the years of the postwar period, but also to that it is an axial subject of ours to happen, by extension, of XX. Thus, Ryan contends that Grandes´s historical novels are infinitely more complex and nuanced than heretofore conceived.įrom the end of the pro-Franco dictatorship a lot of numbers of novels whose thematic it has continued confining itself the Civil War and its consequences. The new perspectives produced in this monograph do not aim to suggest that Grandes is an advocate of perpetrator memory rather, it suggests that Grandes is committed to a more pluralistic idea of memory culture, whereby her novels generate understanding of multiple victim, perpetrator and gender memories, an analysis that produces new and meaningful engagements with these novels. Departing from a philosophical basis, Ryan reconfigures the Republican victim in the novels as a vulnerable subject who attempts to flourish, thus refuting the current critical opinion of the victim as overly-empowered. The intersection of perpetrator memory with masculinity, ecocriticism, medical ethics and the child’s perspectives confirms Grandes’ nuanced engagement with Spanish memory culture. She seeks to debunk the arguments of those who portray Grandes as the proponent of a sectarian, eminently biased Republican memory by analysing the wide variety of gender and perpetrator memories that proliferate in her work. Lorraine Ryan considers and expands on existing critical work on Grandes´s oeuvre, proposing new avenues of interpretation and understanding. This book situates Grandes´s novels within gendered, philosophical, and mnemonic theoretical concepts that illuminate hidden dimensions of her much-studied work.
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Almudena Grandes is one of Spain´s foremost women´s writers, having sold over 1.1 million copies of her episodios de una guerra interminable, her six-volume series that ranges from the Spanish Civil War to the democratic period the myriad prizes awarded to her, 18 in total, confirm her pre-eminence.
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